The Making of a Freya Costume
I embarked on this project for a couple of reasons; firstly, I really liked
Freya in Final Fantasy IX (she's an anthromorph, a Lancer, and she's
got angst... I just couldn't resist! ^_-) Secondly, her costume gave me
several opportunities to try things I hadn't done before, such as mask-making,
and I'm always looking to broaden my experience in costuming.
I did a lot of research before starting; I checked out some resources in
the fursuit community to get ideas on mask-making, drew my own sketches
of Freya in her full costume since there seems to be woefully little in
the way of reference pictures of her (even in the artbook), and stared long
and hard at the FMV sequences in the game (even going so far as to go through
particular sequences frame-by-frame at times...).
But enough with the setup - on to the construction!
The "Undergarments":
The shirt and pants that Freya wears under her coat were pretty easy; I
took Folkwear's Chinese Jacket pattern (which I also used for the coat)
and made the shortest length for her shirt, making the style in which the
front panels simply meet in the center front with frog closures instead
of overlapping. I then attached elastic to the sleeves to make the ruffled
cuffs; stretching the elastic while sewing it to the sleeve and then letting
it shrink back down afterwards produced nearly-perfect cuffs. The pants
were Green Pepper's "Polar Pants" pattern, cut off just below
the knee, with the same elastic applied once again for cuffs. The pants
and shirt are made out of Laundered Challis, which was a nice lightweight
fabric and also happened to be available in the right goldenrod color.
The tights were a little trickier; I combined Green Pepper's "Sport
tights/Capris" and "Polar Socks" patterns to create a set
of full-foot tights, and ended up having to sew them twice, as the first
fabric I tried to use wasn't strong enough and ended up tearing along the
seams. (Oh well, it wasn't quite the right color anyway. ;P) The silver
"buttons" below the knee are silver liquid lame stuffed and pulled
over circular pieces of tagboard, then hand-sewn onto the tights. And then
of course there were the furry toes that got sewn on later...
The Coat:
The coat is Folkwear's Chinese Jacket pattern again, heavily modified: different
collar, added length at the bottom, extra gores on the side for fullness...
The edges of the sleeves, side seams, and bottom hem of the coat are wired
to keep them flared open. The coat is made of pleather, and lined with Ambiance
Lining. The center back seam was left open from the waist down to accomodate
the tail. The collar was made without a pattern; the inside piece is reinforced
with plastic mesh to keep it in place, and the whole thing is trimmed with
thick white bias tape, with wire inside the front seams for shaping. The
coat actually had to be made twice; first I cut it too short, so I played
with it until I got it looking right, then used that as a pattern to make
a second coat. Which is a tad too long. ^^;; It somehow still didn't
fit well, either, so I ended up having to mess with it again to get
it to fit... It was kind of a hassle, needless to say. ;P
The Tabard:
The tabard was made without a pattern; the panels are Baroque Satin (I originally
really didn't want it to be shiny like that, but it was the only fabric
I could find, with my limited fabric-shopping resources, that had all the
right colors so I wouldn't have to change fabric textures between panels.
Oh well...), and the gold designs are liquid lame, glued on with fabric
glue. My brother helped figure out what the top-left design looked like
from the itty bitty, weird-angle version of it in the artbook. ^^;; I also
noticed, somewhat at the last minute, that the tabard actually has black
stripes down its sides - originally I'd mistaken the stripes just for shading
in the rendering, but nope, they're stripes and they're on both sides of
the tabard, as proved by a pencil sketch of her facing the other way. (No,
I'm not an obsessive accuracy-freak, why do you ask?) The tabard has a leather
strip machine-sewn at the top which connects to the rest of the shoulder
harness.
The Shoulder Harness:
I ordered more leather from Buckskin Leather (they're wonderful people)
for the harness. I cut the strips out of the leather by hand, since it was
light enough weight to use scissors on. The tabard-strip is sewn to the
shoulder straps, but pretty much everything else is fastened together with
snaps. I used heavy-duty snaps and a plier kit to put them in, and everything
held together just fine. I also put some extra snap halves on the bottom
straps for the extra studs in the picture, because as aforementioned I am
an obsessive accuracy freak. (I'm sure no one else notices them, but I know
they're there!) The shoulderplates are actually held to their leather straps
via thick bolts, since that's that it looks like in the picture. The shoulderplates
themselves are more plastic mesh shaped with wire to curve around my arm,
then covered in muslin and painted with "pearl" metallic paint
for a nice sheen.
The Hat:
The hat started out its life as a wireframe. It was originally way too big,
so I had to start over and scale it down (it's still a little on the big
side, I think, but acceptably so...). I then covered the wireframe in plaster
gauze, then once that was dry stretched pleather over it, fastening it with
various types of glue and doing my best to hide the seams. There's small
amounts of stuffing in selective places under the pleather to provide a
smooth look. The "ears" on the hat are plastic mesh with wire
along the ridges; the wire helps it keep its curving shape and also makes
the ridge look raised (with the help of a thick line of hot glue). Liquid
lame once again was glued tightly to the ears on both front and back. The
bottom circles are stuffed like the buttons on the tights, and then the
ears are sewn onto the hat through holes poked in the circles and pleather
and plaster. That turned out not to be quite enough support, though, so
they're also superglued in a couple of places. Whew...
The Tail:
The tail was pretty simple, though it did end up being slightly shorter
than I was planning - I underestimated the extra length needed in the fur
to accomodate the full length of the wire and didn't feel like cutting another
piece out of my dwindling fur supply. ^^;; The fur was cut basically as
a long, narrow triangle, sewn together to form a gradually narrowing tube.
The wire was threaded through a plastic mesh triangle at the base and bent
so as not to fall out; then I opened a hole in the back seam of the pants
to allow it to go through. The plastic mesh triangle was then sewn to the
inside of the pants on the backseam, with the addition of a triangle of
cardboard to keep the wire from digging into my skin. (My sewing machine
didn't complain about sewing through both cardboard and plastic mesh...
I am shocked...) Once the wire was firmly attached to the pants, I threaded
the wire into the tube of fur and used my umbrella, since my hands couldn't
fit into the narrowest parts of the tail, to push stuffing into the tail
and get it nice and full-looking. I then sewed the top of the fur tube to
the pants to close it off.
The Hands and Feet:
The hands and feet were originally Green Pepper's "Polar Paws"
pattern. For Zero, I discovered that making the largest size glove the pattern
allowed and stuffing the fingers gave me fairly effective large hands without
losing too much manual dexterity. For Freya, who only has four fingers on
her hands, the pattern wasn't big enough - I couldn't fit two of my fingers
into one glove finger. I ended up modifying the pattern by making the backs
of the fingers double the width of the largest pattern size, and leaving
the fronts as they were. This took a lot of patience with the sewing machine
to get the seams right, but the results were worth it; I had furry gloves
with large, stuffed fingers, giving me a very large but proportional paw
that still allows me a good amount of manual dexterity. My first and pinky
fingers have their own glove fingers, and my two middle fingers share the
middle glove finger, which seems to be comfortable for my hands.
For the feet I did much the same thing, except widened the backs of the
fingers even further, to more like 2.5x, and removed the thumb instead of
the pinky finger. The feet were much too wide to conform to my actual foot
without a tremendous amount of funny-looking wrinkling, so I ended up having
to cut some extra fabric away before attaching it to the tights. They were
hand-sewn onto the tights while I was wearing them by a friend of mine so
that I could be assured they'd fit properly. ^^;; They fit perfectly over
my real toes, so that I can wiggle them, and when I walk on my toes it really
looks like Freya standing on her toes. I'm very proud of those toes. ;)
The claws are different on the hands and feet; for her hands, I took loops
of wire and bent them so that the claws would curve naturally inward instead
of being just flat triangles attached to the fingers. I then hand-sewed
plastic mesh around the wire, which kept the plastic mesh bent properly
and gave the claws a more solid structure. After that I wrapped each claw
in masking tape, then covered it in white muslin, painted with pearl paint.
The foot claws are muslin pieces sewn together, stuffed, painted with the
pearl paint, then hand-sewn onto the tips of the toes.
The Mask:
This was the tough part. I spent immense amounts of time and effort
on this mask. It began as a wireframe, though in an effort to keep weight
down I put as few wires in as I could to serve as guidelines. Next I took
plastic mesh and attached it to the wireframe with a combination of hot
glue and hand-sewing through the mesh holes. The muzzle, being largely flat
planes, was easier than the forehead/eye area. Pictures of the plastic mesh
mask are available below. Freya actually has a rather small head, and getting
the width of a human face down to a narrow muzzle without looking strange
was kind of difficult. ^^;; The result is that her muzzle is actually a
tad too long, but it's too late to change it now. ;P
The eyes were originally teardrop-shaped plastic shapes that I got from
Jo-Ann's Fabrics; a friend with a dremel tool cut away the excess plastic
for me, and then I set them into the plastic mesh with a liberal application
of hot glue. (Now that I have seen what a dremel tool can do, I must
get one for myself...) I painted the insides of the eyes with plain old
acrylic paint, leaving the "pupils" unpainted so I could see through
them. Sewn to the plastic mesh arund the eyes on the inside is two layers
of black pantyhose, to make the pupils appear opaque black from the outside
yet still allow me to see (sort of anyway. I can navigate, at least. ;P).
The mask has three straps hand-sewn to the plastic mesh to hold it on; one
over the top of my head and one on each side. They all velcro together in
the back. The straps are just made out of muslin, but they are hemmed. ;)
Once all that was done, I could start applying the fur.
The fur is all hand-sewn on through the plastic mesh, except in places where
that was impossible, such as around the eyes where there's too much solid
plastic and glue. Some of the seams in the plastic mesh I could avoid with
the more pliant fur; sadly, though, there are still a lot of seams, and
most of them show more than I would like. ^^;; Long fur would have been
much better for hiding seams, but ah well. Cutting out holes for the eyes
was interesting, but tougher was getting the fur around my neck to lie right.
Luckily the cravat mostly holds it in place. There is a computer fan in
the nose of the mask, wired to a battery pack worn on a belt under the coat
and an on/off switch held at my wrist for easy access. It still wasn't really
enough to keep me cool, so I also rigged up a bag to wear around my neck
out of a terrycloth washcloth and a strip of muslin. It fits under the coat
and holds a cold pack against my chest, without showing through the costume.
The Cravat:
This was easy; I didn't even need a pattern, I just made a mockup and then
the real thing. The neckband is a long rectangle that closes in the front
with velcro. (The fur also closes with velcro at the front of my neck, thus
allowing me to merely open the neck of the costume and push the mask up
a bit should I need a drink.) The front is another rectangle, gathered at
the top and sewn to the first, and the pleats are ironed in. The cravat
is made of Casa Satin; again, the only thing I could find that was the right
color and stiff enough to hold the pleats with just ironing. ;P
The Spear:
I didn't bother making a spear for Fanime since their weapons rules prohibited
prop weapons of any type, but I enjoyed the costume so much I was determined
to wear it again, preferably with a spear. ;) The shaft is a length of PVC
piping. The "rings" around the shaft are made of wooden rings
and/or cylinders with celluclay added for roundness. The base started with
a circle of foamcore glued onto the PVC, then I added wire mesh and celluclay
on top of that. The lower blades are foamcore. The space between them was
covered with tape, but that wouldn't take paint so I had to glue paper on
top of the tape, around all those annoying curved surfaces. Then I laid
tagboard over the foamcore to hide all the tape and paper and glue, and
painted it. The top blades have a single sheet of foamcore inside, carefully
carved along the edges to bevel them outward. Then I took pieces of tagboard
and glued them onto the foamcore edges, bending them in such a way that
they would curve and provide a three-dimensional look. The top blades are
attached to the spear shaft by a cylinder of tagboard hot-glued solidly
to the foamcore sheet, and carefully sized so it fits perfectly inside the
PVC. I used Accent metallic paints to paint darn near the whole thing, and
used several variants; for example, the gold for the spear shaft is different
than the gold ornamentation on the blades, because they looked like different
colors to me in the reference picture. Yes, once again I am an obsessive
accuracy freak. ^^;; I'm just glad I stocked up on every possible color
of that paint...
Well, I think that covers it... Oh yeah, the wig was storebought, and I
didn't even need to style it. The eyelashes were store-bought as well. Okay,
now I think I'm done. ;) Anyway, I love this costume, despite what a challenge
it was to make, and I hope this rambling wasn't too boring to anyone who
was curious about how the costume was made... ;)